Inspired by architectural and geometric forms in Minimalist and Post-Minimalist art, I aimed to create an installation in which I explore different ways to articulate and reinterpret the circular form: from a complete circle to its deconstruction in

Fragmentation

Inspired by architectural and geometric forms, this installation aims to explore alternative ways to articulate and reinterpret the circular form: from a complete circle to its deconstructed segments. It is also an exploration on the subject of memory. The individual pieces represent fragments of memories that we have, the sum of which form a collective memory. The gold lustre lines on select pieces represent a marker in space and time. Ceramic is a medium that inherently produces many unexpected outcomes. Similar to how memories are created, its irregularity gives uniqueness to each piece, allowing us an opportunity to appreciate the imperfection that happens along the process.

Medium: ceramic, glazes, gold lustre

 Inspired by architectural and geometric forms in Minimalist and Post-Minimalist art, I aimed to create an installation in which I explore different ways to articulate and reinterpret the circular form: from a complete circle to its deconstruction in

Inspired by architectural and geometric forms in Minimalist and Post-Minimalist art, I aimed to create an installation in which I explore different ways to articulate and reinterpret the circular form: from a complete circle to its deconstruction into segments. On a cerebral level, it is an exploration on the subject of memory. The individual pieces represent the fragments of memories that we have, where they form to create a collective memory. The gold lustre lines on selected pieces are representative of a marker in time and space in our memory. 

Medium: ceramic, glazes, gold lustre

VCHIN_Frag_1B.jpg
VCHIN_Frag_1C.jpg
VCHIN_Frag_1D.jpg
VCHIN_Frag_1E.jpg
VCHIN_Frag_1F.jpg
VCHIN_Frag_2C.jpg
VCHIN_Frag_2D.jpg
VCHIN_Frag_3A.jpg
VCHIN_Frag_3B.jpg